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“We can’t possibly account for this missing decade between records,” Kato says, “but as most people know, the older you get, the shorter time becomes, so it doesn’t seem like ten years to us. But even co-frontmen Nash Kato and Eddie “King” Roeser, calling from their Chicago homes, are at a loss to explain why it’s taken them this long to put it out into the world.

“Upon receiving the dreadful news of his premature departure in 2016, we felt compelled to include that track on the album.On February 11th, acclaimed alternative rockers Urge Overkill released Oui, their first studio album in more than a decade. “We demoed the tune, then somehow shelved it, as we began writing what would become Oui.” “It sounded vaguely familiar, but instantly catchy? After returning home, we eventually found it online (the word “freedom” our only clue) and were flabbergasted to discover it was indeed penned by George Michael?!”

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“Naturally, our TM/chauffeur was tuned into some crazy station (and anything goes on Radio Free Europe?) whence we heard “Freedom!”“ Nash Kato gives some insight into the creation of their uplifting cover, revealing, “The King&l were wrapping up a rather odd (albeit pleasant) acoustic ‘DynamicDuo’ tour through EuroTown and enduring our rather fortunate exodus from Moscow.” It’s the logical extension of everything everyone loves about Urge Overkill: killer riffs, memorable hooks, and the style and swagger of Nash Kato and King Roeser. As the song progresses, the addition of soulful backing female harmonizing give “Freedom!” a spirited rave-up vibe. On the lead single Kato and Roeser kick up a romping racket of bright and rollicking guitar riffs, running bass line, crisp and emphatic drum and cymbals strikes, and heartfelt main vocals. Now, a decade later, Urge Overkill returns with Oui - 12 new tracks, including 11 originals and an Urge-ified cover of Wham!’s “Freedom!”īig Takeover is stoked to host the premiere of Urge Overkill’s dynamic reinterpretation of Wham!‘s track, turning an upbeat pure pop song into a punchy rock ‘n’ roll number with a gospel touch. Two years later, Rock & Roll Submarine was released to great critical acclaim. Kato and Roeser reunited in 2010, playing a set at Tarantino’s Friar’s Club Roast, and sat on the podium alongside Samuel L. After 1995s Exit the Dragon, Urge’s whirlwind first decade came to a close.

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The movie and soundtrack became a massive hit, rocketing Urge into the public consciousness. While working on Saturation’s follow-up, Quentin Tarantino picked Stull’s “Girl, You’ll Be a Woman Soon” for inclusion in his 1994 film Pulp Fiction. Featuring radio hits like “Sister Havana” and “Positive Bleeding,” the band rock ’n’ rolled on. (Cypress Hill, Nine Inch Nails, Anthrax). Even as just an EP, the release proved that Urge was ready for the big leagues, and they signed to Geffen Records later that year.ġ993 brought the world Saturation, produced by the Butcher Bros. Urge recruited Kramer (Bongwater, Butthole Surfers) to produce 1992s Stull EP, which included a cover of Neil Diamond’s “Girl, You’ll Be a Woman Soon” and the original “Goodbye to Guyville” - whose title was adapted by Liz Phair for her acclaimed debut. tour, and Urge Overkill was playing huge arenas. At that point, Pearl Jam tapped them for their Vs. Next came 1990s Americruiser, this time produced by Butch Vig, featuring a sound and style that influenced fellow bands like Smashing Pumpkins and Nirvana, who would consequently use Vig.ġ991s The Supersonic Storybook (named by Material Issue’s Jim Ellison) brought Albini back to the production role, and Urge Overkill opened for Nirvana on American and European legs of Nirvana’s Nevermind tour. Touch and Go Records founder Cory Rusk championed the band as well, and Jesus Urge Superstar appeared on that classic Chicago label, once again helmed by Albini (while the band was housed in his basement). Pulling their name from Parliament’s title track “Funkentelechy,” Urge Overkill was born in 1984, releasing their debut EP Strange I… on fellow Northwestern student Steve Albini’s Ruthless Records (with Albini in the production chair). Roeser and Kato, two Minnesota native sons, met at Northwestern University in Evanston, Illinois. Omnivore Recordings will release Oui on CD and digitally on January 28, 2022.

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Oui, their first new release in more than a decade, is an album full of their signature mix of gritty rock, catchy hooks, and a certain ‘je ne sais quoi’, which is exactly what a post-pandemic planet has needed for far too long. The acclaimed veteran rock band Urge Overkill is composed of two unique voices and singer-songwriters, Nash Kato and King Roeser. Urge Overkill – Photo Credit: Jerod Herzog